T-Sheet DBL
Two faces: skin-tone and white contrast. Every line, shade, and color reads for what it really is.
Variant
You are buying a 60×40×0.4cm sheet — the ideal size for full back and large projects.
Tipologia Stencil
Every sheet is unique. Fresh silicone mix daily, flock color dosed by hand. No two skins are identical — just like real human skin.
Made to order
Your piece is crafted personally after purchase. Estimated delivery in 5 business days.
Perché sceglierlo
Two faces, two jobs
Skin-tone side for realistic practice, white side for pure contrast evaluation
Tighter on the white side
Mimics stretched skin during lining for more faithful training
Hyperrealistic texture
Flock, micropores, translucency: ink behaves like on real skin
Portfolio-ready
The white face photographs like a dream, no retouching needed
Come si usa
Prep
Wipe the surface with alcohol to remove dust and production residues
Stencil
Apply your transfer gel or soap. If creamy, massage it onto the skin until tacky. Place the stencil, press for a few seconds — no hair dryer, no 24h wait. Peel off and check the transfer. Let dry for 20-30 minutes
Aftercare
When finished, wash the skin with soap and water, pat dry. Apply a thick layer of Vaseline and wrap in a bag or cling film for 24-48 hours: the skin sweats and expels excess ink. Then wash, dry and apply moisturizing cream to keep the tattoo glossy
Contenuto
Single T-Sheet DBL sheet
Resealable storage pouch
Product card with batch code and production date
Descrizione
On flesh-toned skin your eye is always fighting the undertone: you finish a piece and you're never 100% sure how clean that line is. The DBL has two faces, and one was made to take every doubt away.
Like every Foolish skin: silicone mix made fresh daily, flock coloring for natural dyschromia, micropores for stencil grip, hyperrealistic texture. No serial molds — ever.
White face — pure contrast canvas. No undertone in the way: line weight, saturation, and shading transitions read exactly as they are. You catch a wobbly line, an overloaded area, or a blowout instantly. It's the face that tells you the truth — and as a side effect, it photographs like a dream.
Skin-toned face — full realism. Flock, translucency, pores: ink behaves like on real skin when you want to train for the final result.
Firmer and tighter on the white side, to mimic stretched skin during lining.
For artists who want to study and show their linework with zero noise, and train on real color behavior at the same time. Lining, dotwork, blackwork — anyone who lives by their portfolio.